King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing" artworkplay

King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing" Rachel Bevan, James Oxley, Gerald Finley, The English Concert, Mark Tucker, Trevor Pinnock, Carol Hall, Caroline Ashton, Nancy Argenta, The English Concert Choir

Álbum:
Purcell: Dido & Aeneas, King Arthur, Dioclesian, Timon of Athens, 3 Odes
Data de lançamento:
Janeiro 01, 1992
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Álbum:
Purcell: Dido & Aeneas, King Arthur, Dioclesian, Timon of Athens, 3 Odes
Data de lançamento:
Janeiro 01, 1992
playKing Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing" artwork
King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing" nos Tops
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This song is charted in Bélgica
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por Mark Tucker, Trevor Pinnock, The English Concert Choir, Gerald Finley, The English Concert, Nancy Argenta, Caroline Ashton, Rachel Bevan, Carol Hall, James Oxley, Simon Davies & Simon Birchall
King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing" artwork
King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing"
Mark Tucker, Trevor Pinnock, The English Concert Choir, Gerald Finley, The English Concert, Nancy Argenta, Caroline Ashton, Rachel Bevan, Carol Hall, James Oxley, Simon Davies & Simon Birchall
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